Saucer Smear

OFFICIAL PUBLICATION OF THE SAUCER & UNEXPLAINED CELESTIAL EVENTS RESEARCH SOCIETY
EDITOR AND STILL
SUPREME COMMANDER:
James W. Moseley

CONTRIBUTING EDITOR:
Karl T. Pflock

NON-SCHEDULED
NEWSLETTER
Volume 51, No. 7
July 20th, 2004
(Whole Number 373)
OUR FIFTIETH YEAR!

MAILING ADDRESS:
P. 0. Box 1709
Key West, FL 33041

We welcome your correspondence, pro or con, well-reasoned or otherwise, but please keep in mind that while Saucer Smear is on the Dreaded Internet, your humble editor is NOT! So, if you wish to receive a personal reply to your letter, or wish to have any chance of seeing it printed on Our Glorious Pages, please print it out, put it in an envelope, affix a stamp thereto, and SNAIL mail it to:
James W. Moseley
P.O. Box 1709
Key West, FL 33041

It's simple and loads of fun! Ask your grandma if you don't remember how to do it!

We thank you!

Yes, dear friends (and others) - As of July, 2004, it is now exactly fifty years since the first issue of our zine, then called "Nexus", which means "connecting link". This unusual title, currently used by a major Australian offbeat magazine, was proposed by UFO researcher August C. Roberts. He, together with his friend Dominick Lucchesi, (and of course Jim Moseley) were the co-founders of the zine.

Augie and Dominick soon dropped out, and the name changed to "Saucer News", which continued for many years. There are those who still believe that "Saucer News" was the best UFO magazine of its era. Due to television publicity, it briefly reached a subscription circulation of almost 10,000.

In the late 1970s we came out with a new format and a series of facetious titles, culminating in 1981 with the present "Saucer Smear". Humor, sarcasm, and offbeat thinking are now our focus.

What does the future hold? That depends on our health and state of mind. Meanwhile, our sincere thanks to ace cartoonist Matt Graeber for the art work above!


THE MUFON UFO JOURNAL DOES IT AGAIN!

Under the screaming headline "Entity Reportedly Photographed in Holland', the lead story in the June 2004 issue of the above-mentioned zine includes the somewhat astoUnding picture on this page. In our efforts to ask other researchers their opinions of this photo and the story that goes with it, we were surprised to find out how many active ufologists no longer receive the Journal at all. This is a clue to their dramatic drop in circulation in recent years. Maybe sightings such as this one have turned off the more conservative readers, whereas there hasn't been enough "new blood" to fill the gap - or whatever.

Anyhow, the story swirls around a 24-year-old Dutchman named Robbert (two b's, please) van den Broeke of Hoeven, Holland, and his family, which consists of parents and at least two sisters, living in a middle-class house. Interacting with this group is Nancy Talbott, of "BLT Research, Inc.", who visits the family annually for relatively long periods of time, and is obviously intrigued by the strange goings-on there,

"Smear" readers may remember that back in 2001, she and Robbert watched together one night as a crop circle was actually being formed in front of their eyes, just outside the family home.

When the present photos were taken, in May of this year, Robbert was apparently alone in the house, or at least he failed to call any witnesses. He suddenly felt compelled to get his digital camera and wait in the living room. Over a period of about 90 minutes, a smoky, faint mist gradually evolved into the ethereal figure seen here, which seemed to be sitting on a couch in front of a wall photo of Robbert's two-year-old nephew. (In this "Smear" reproduction, the nephew is completely lost, and the figure looks more ethereal than ever!)

Robbert says he is able to communicate mentally with the beings he is photographing (apparently this occasion was not unique), and he adds that they are not the "common greys" often described in abduction reports, although they are responsible for crop circles. It is not at all clear just how he is able to make this distinction.

Robbert has shown an "incredible ability" to see things, both in the present and in the future. His father, who is general manager of a bank, says that his son is "always 100% correct. I have no reason not to believe him."

Paranormal events are so common in and around the home that one of his sisters treats them matter of factly. There are entities, "orbs", crop circles (outdoors only), and other unbelievable phenomena. Robbert also claims healing powers, and spends a great deal of of his time outdoors in the fields near his home, just meditating. He does not work. Clearly all this goes far beyond the scientific study of crop circles, which was Nancy Talbott's original mission!

We have had a long and interesting phone conversation with Nancy Talbott. She says she can't help being impressed by these phenomena, some of which she has witnessed herself. At the same time, she admits that there is no proof (although she claims to have chemical proof that some crop circles are anomalous).

Getting back to this picture - is it a hoax or not? MUFON is on very shaky ground giving it so much importance in their zine, but they say it is because Robbert is already known to them and they consider him to be "sincere and reliable". We of "Smear" have always felt there is a definite correlation between some UFO cases and the human mind. As skeptical as we are about most things, we don't put this picture (and the others in the same series) down. On the other hand, they would have been ridiculously easy to fake!

We are disturbed that Robbert's father, the conservative banker, is putting together material for a book on all this, and it will include some of Robbert's pictures. We seem to have a syndrome here which is some sort of crude combination of George Adamski and Ed Walters. So - what is the truth of the matter? As old George would say, "Time Will Tell!"


MISCELLANEOUS RAVINGS


ONE LAST MIRACLE?

"Smear" readers will remember Betty Hill of New Hampshire, who, with her late husband Barney, allegedly had a "classic" alien abduction experience back in 1961. This gave rise to John Fuller's book "Interrupted Journey", plus a TV special, and a great deal of other publicity. In 1980, Betty lectured in New York City at that year's National UFO Conference, where her UFO slides, made in the years following her initial experience, drew a decidedly mixed reaction from the audience. Many thought they showed only planes, reflections, shadows, etc. A few slides showed nothing at all!

Now Betty is 84 years old and terminally ill with lung cancer. One of the two women who have been caring for her is a niece named Cathy Marden, who recently wrote the following letter to John Schuessler of MUFON:

"Dear John:

"I suspect that Betty had an ET visitation on Tuesday, June 15th, or in the early morning hours of June 16th. Whatever occurred, there was an element of high strangeness associated with the following events.

"To update you on her condition, Betty is no longer able to support her own weight, and her right arm is fractured and paralyzed. Sunday, June 13th, while using her walker, she fell and sustained a severe fracture of her upper humerus and a hairline fracture of her wrist. She is under Hospice care and is totally incapacitated, crippled, and on morphine for severe pain. My cousin Connie put Betty to bed on the sofa on Tuesday evening and then retired to Betty's bedroom, a few feet away. Connie is a light sleeper and she awakens whenever she hears Betty stir. However, she did not awake on the evening in question. In fact. she overslept on the following morning until 7:00 AM.

"When she awoke she found that Betty's splint had been removed and the ace bandage that was tightly wrapped around her hand and forearm was still intact around the splint, as if it had been removed from her arm without being unwrapped. This would have been impossible. Also, her sling, which holds her arm in place above her heart, was removed, intact. This was tightly fastened and taped, and could not be removed without unfastening the tape and Velcro. Both items were neatly placed on a chair approximately l0 feet from Betty. Also, the dead bolt lock on the back door to Betty's house had been unlocked, and the door was wide open.

"It would have been physically impossible for Betty to commit these acts independently. Also, Connie has never been known to sleepwalk. Hypothetically, under the remote possibility that Connie perpetrated these acts in a sleep state, the pain would have been so severe that Betty would have screamed in agony.

"Even stranger, Betty's external appearance has suddenly improved and her pain level has been significantly reduced. This was witnessed by Connie, myself, and a medical doctor who visited her on June 16th."

This incident is indeed baffling, but if it's not a hoax, what else can it be? Did the Space People really come back to see her? In any case, Betty Hill is a very nice lady, and we continue to wish her well. We spoke to her briefly by phone in regard to the incident, and she simply said that she has no idea what happened. (Our thanks to K.P.)


CHARLES DELLSCHAU AND THE SONORA AERO CLUB

- by Dennis Stacy, former editor of the MUFON UFO Journal

Charles Dellschau was born in Brandenburg, Prussia, in 1830, and immigrated to the U.S. in 1853. His exact whereabouts for the next few years are unknown, but by 1856, he is in Texas, where he will live until his death in 1923. Upon his retirement from a Houston saddle shop at the age of 70, Dellschau literally retreated to an attic room and fashioned a second career.

For the next 20 years, Dellschau cranked out drawing after drawing of brilliantly colored airships in "a charming style", according to a New York Times reviewer, "that presages Monty Python!' Were Dellschau's fantastic flying machines some sort of private joke, or, as some ufologists think, a significant clue to the so-called Great Airship Mystery the hundreds, if not thousands, of reports of unusual flying objects made from one coast of America to the other, between the fall of 1896 and the spring of 1897.

What attracts some researchers is the mysterious context in which Dellschau cast his airships - as flying devices actually produced and flown in the early 1850s by a secretive California organization known as the Sonora Aero Club. The society was supposedly funded by an even more shadowy group known only as NYMZA. The genius behind the Club's "aeros", as they were called, was one Peter Mennis, a pilot and the alleged inventor of an anti-gravity gas or substance variously spelled "supe" or "suppe". Dellschau was apparently the Club's draftsman.

The Aero Club reportedly disbanded sometime in the 1860s, after Mennis died and took the secret of suppe to his grave. Some ufologists believe, however, that one or another member of the Club may have continued operations, or at least contributed to the construction of one or more of the aerial machines that gave rise to the Great Airship Mystery.

But there are some obvious obstacles to a literal interpretation of Dellschau's account. For one thing, there is the "embarrassment of riches" J. Allen Hynek referred to in terms of UFO reports. In other words, the sheer volume of aeros drafted by Dellschau argues against the case. And why would each new aero require a different, complicated design, never mind the cost and problems associated with producing such vehicles in secrecy? Furthermore, why no trace in the historical record of a Sonora Aero Club, prior to the discovery of Dellschau's notebooks circa 1969? Those who have bothered to check the local cemetries and census records for members named by Dellschau have largely come away emptyhanded.

But if Dellschau wasn't the Aero Club's draftsman, what was he? My best guess is that he was what is now known as a "Visionary" or Outsider, Artist, a phrase only coined in English in 1972, in art historian Roger Cardinal's book, "Outsider Art".

Outsider artists flock to a different pylon. Without going into a complete psychological profile, they are often anti-social in that they keep largely to their own counsel and paint or produce for an audience of one - themselves. Almost universally, their art doesn't court popular appeal or approbation, nor do they play to byproducts like fame and commercial success associated with normal artists working in whatever medium. In addition, they are typically self-taught, manic or compulsively prodigious in output (Dellschau produced more than 5,000 individual pieces), and their oeuvre often reiterates a single personal theme or inner vision.

Dellschau would seem to qualify as an Outsider Artist in almost every regard. He created in solitude and never sought credit or profit for his supposed role in aviation history. (Indeed, his life's work almost wound up in a land fill; it was only discovered and rescued by the sheerest serendipity.)

In short, Dellschau's Sonora Aero Club, rather than a historical record of a secret society and its unsung pioneers of aviation, should properly be seen as a personal flight of fancy, a near obsession with the advances in aviation that were taking place outside his self-cloistered garret as he drew and dreamed.

It was his way of participating, a collectively compelling act of an individual too old to physically fly, but still young and innocent enough to imagine that he could or had. While Dellschau's Sonora Aero Club may not illuminate UFO history, it does nothing to diminish our appreciation of Outsider Art. In fact, it only enhances it.


Interestingly, the obscure California town of Sonora is currently in the news: There is now a website devoted to "The Sonora UFO Sightings", and these sightings, together with photos, are briefly described. This "flap" has spread to various parts of California in recent weeks, but we don't have enough details to comment further, as yet.


Pflock Ptalk - BLASTS FROM THE PAST

by Karl Pflock, Our Contributing Editor & Fifth Columnist

We here at "Pflock Talk" Central recently were delighted to receive two new publications of note. Both conjure up memories of the Good Olde Daze of ufology and other food for thought and no little amusement.

First is "42 Years: A UFO Editor's Perspective", compiled by prolific Ohio saucerer Rick Hilberg (36 pp. booklet, $8.00 postpaid from Hilberg, 377 Race St., Berea, Ohio 44017). Rick has been writing for, editing, and publishing saucerzines for, you guessed it, 42 years, and he's still going strong. Here he offers up as many of his favorite articles from his various publications and the late Al Manak's "Flying Saucer Digest" as he could cram into 36 pages, covering the years 1962-2002. Most are from Hilberg's own pen. All are at least interesting. Some are fascinating (Wait'll you meet "Jerry", the NASA guy with the instrumented trailer, a la the "X-Files"'.) Taken together, they paint a unique picture of four decades of ufological history that's well worth the eight bucks.

Next up is "The Carbondale UFO Crash - The Reality, the Hoaxes and the Legend", by Matt Graeber (18 pp. booklet, $5.00 postpaid; order from William E. Jones, 829 Bethel Road, Columbus, Ohio 43214). Matt's well known to "Smear" non-subscribers as a UFOtoonist extraordinare. Less well known are his accomplishments as the founder-director of UFORIC, the Philadelphia-based UFO Report and Information Center, a small volunteer outfit that did some first-class research during the 1970s. There's no better example of this than Matt's investigation of the alleged crash of a UFO into a pond near the town of Carbondale, Pa., presented here in delightful style.

On the night of November 9, 1974, some teenagers breathlessly reported to the town police that they had seen a strange glowing object streak through the sky and splash down, sinking to the bottom of the pond. There it continued to emit an eerie light, observed by police officers over a period of several hours.

I'm not spoiling the story by revealing that the "UFO" turned out to be a lantern, tossed into the murky water, probably by the teenage "witnesses", to stir up some excitement. For the real story is the hoopla this little hoax generated and the mythology it has spavined, a tale so durable that some in UFOdumb...uh.. -dom still believe the lantern had to be a saucer, which was hauled and hidden away by the military.

The true, funny-sad, cautionary story of "The Carbondale UFO Capers", ufology a la the original "Saturday Night Live", is a must read for all thoughtful saucerers. You decide if Graeber is telling the truth or is a dissembling "government agent or high-ranking Air Force officer disguised as a UFO field investigator". Personally, I think he's a MIB with a sense of humor.


LETTRES TO YE OLDE EDITOR:

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